With producer Party Supplies as its anchor, BC2 stood out because it emphasized Bronson’s ability to rap over just about any beat thrown his way. The album is a big-boy step up from his 2013 mixtape, the great Blue Chips 2, but his weirdo skills are uncompromised.
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The first five tracks are nearly 18 minutes of Bronson showing you how far he can stretch the Bronsolino persona. “Brand New Car” sounds like an ’80s TV theme “The Rising” (with his right-hand man, Big Body Bes) and “Actin Crazy” are upliftingly grimy “Terry” finds Bronson rapping over a slightly romantic beat and “Falconry” (with Meyhem Lauren and Big Body Bes) is a classically rugged New York posse cut, perfectly juxtaposed with a surprisingly playful beat. That control - over how he raps and who he is - is evident immediately on Mr. The “freestyle” 1 from that night is Bronson at his finest, reveling in absurdist topics, flashing his overconfidence, and rapping circles around anyone stepping up to a microphone. When Bronson popped up on New York’s Hot 97 in January to rap on Funk Flex’s show, he showed off his virtuosity. It’s an effortless record, with Bronson in complete control of his vision. Lecter, was released four years ago - but the result was worth the wait. Wonderful. The build-up for this has seemed never-ending - his first mixtape, Dr. The reason for the show, the second of two sold-out nights, was the release of Bronson’s major-label debut album, Mr. Because I’d never seen white people so amped at owning their whiteness by essentially mocking their own whiteness. I couldn’t believe my eyes. I felt out of place while also feeling welcome, and I never wanted it to end. That was when I truly understood Bronson as a cult hero incrementally becoming a mainstream figure. The corny fist pumps from the crowd mirrored the corny fist pumps from Bronson - that explained it all. From Action Bronson to Yelawolf: A Field Guide to Today's White Rappers.
Standing alone in a sea of fans hanging on his every word - every move, every mannerism - at Manhattan’s Terminal 5 last night, I watched as the Flushing, Queens, rapper stomped around the stage, banging his head, gyrating in a frenetic, Joe Cockeresque way, as “Hold the Line” served as his battle cry. I think I really understood Action Bronson when he threw on Toto.
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